THE BOOK CLUB

- FOR babes WITH brains - 

ONE MONTH. ONE BOOK. ONE... TOO MANY MIMOSAS AT THE REVIEW PARTY. Shit.


 
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SEPTEMBER

“Because when we give too many fucks, when we choose to give a fuck about everything, then we feel as though we are perpetually entitled to feel comfortable and happy at all times, that’s when life fucks us.” 

There are only so many things we can give a f**k about so we need to figure out which ones really matter.  A much-needed grab-you-by-the-shoulders-and-look-you-in-the-eye moment of real-talk, filled with entertaining stories and profane, ruthless humor, The Subtle Art of Not Giving a F**k is a refreshing slap for a generation to help them lead contented, grounded lives.


OCTOBER

“Abandon the cultural myth that all female friendships must be bitchy, toxic, or competitive. This myth is like heels and purses--pretty but designed to SLOW women down.” 

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.

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NOVEMBER

“We are not meant to know everything, Mae. Did you ever think that perhaps our minds are delicately calibrated between the known and the unknown? That our souls need the mysteries of night and the clarity of day? Young people are creating ever-present daylight, and I think it will burn us all alive. There will be no time to reflect, to sleep to cool.” 
What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge. 

DECEMBER

"I wanted what we all want: everything. We want a mate who feels like family and a lover who is exotic, surprising. We want to be youthful adventurers and middle-aged mothers. We want intimacy and autonomy, safety and stimulation, reassurance and novelty, coziness and thrills. But we can't have it all."

In this memoir, ArielLevy chronicles the adventure and heartbreak of being "a woman who is free to do whatever she chooses." Her own story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed--and of what is eternal.


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January

“Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable color, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.” 

Exit West follows [two] characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.